The feelings of isolation and disaffection can be thwarting. unsafe and finally they can even drive a individual huffy. Peoples have ever dealt with such issues otherwise. Some managed to abandon those feelings and continued with their lives while others succumbed to them as they were unable to get the better of and/or command them. Those psyches who “surrendered” frequently faced devastation or even decease as they were unable to get by with alterations and the force per unit areas of populating a life below their outlooks with no 1 to swear and confide. non even their beloved 1s. When people are entirely and isolated for a certain sum of clip there is a opportunity that they forget about existent life and even go “bushed” . This is one of the many jobs of huge states such as Canada particularly its dry prairies and northern north-polar parts can alter people.
In this essay. I will seek to analyse and look into different fortunes that can take to emotional provinces. some of which are outstanding subjects in Canadian fiction – isolation. disaffection. solitariness. loss of individuality and lunacy. Isolation and disaffection can happen out of many grounds. It is non merely an stray landscape that may trip feelings of solitariness. fright or weakness. but besides isolation and disaffection from society or even people closest to you. Other definitions may besides include religious and emotional isolation. In Sinclair Ross’ The Painted Door the supporter Ann fells entirely and isolated for many grounds.
Ann is non pleased with her life. She and her hubby John live in the center of nowhere. far off from company and populated colonies. The distant surrounding in which they live creates a feeling of utmost isolation. particularly after antecedently populating in a metropolis. After being exposed to this geographical isolation for some clip. Ann’s feelings of solitariness finally escalate to the point where she even feels alienated from her ain hubby. But at that point she does non recognize that her longing for a better and different life will accordingly alter her life for worse and will do her feel guilty and suffering for the remainder of her life.
After holding an matter with Steven she realizes that this is non what she truly wanted and she besides realizes that she has made a large error kiping with him. while her hubby was off. Therefore. we can non see Steven as the fulfilment of her desires for a better life. but instead as a impermanent agencies to “cure” her from her isolation and solitariness. As John out of the blue returns place during a storm. he witnesses the treachery and leaves Ann ne’er to return once more.
… the expressed subject is centered on criminal conversation. However. there are other. more elusive. motives in the narrative that play a really important function in its success. The subjects indispensable in doing the protagonist’s criminal conversation apprehensible are the landscape. her isolation. and the feelings of treachery and guilt that she experiences following the cardinal act of the narrative. ( The Painted Door )
Ultimately. Ann’s needs to experience loved and acknowledged. every bit good as her actions out of despair and solitariness. take her to the devastation of her life and. accordingly. the life or her hubby. The snowstorm. which can be seen as a metaphor for passion. every bit good as the physical and emotional separation from her hubby prosecute her to make things she likely. under “normal” fortunes. would non see making. Therefore. it is in those utmost conditions where we have to seek for the drive force behind Ann’s criminal conversation. The replies that would “justify” her actions and would. every bit good. give us an penetration into her interior solitariness and isolation are all hidden in this apparently unreal barren. In this narrative we can happen:
…thematic elements considered the bedrock of Canadian authorship: a landscape so black in winter that it seemed a part foreigner to life. but a house standing however standing against that wilderness. a refugee of lame walls wherein persisted the elements of human significance and endurance. … A adult female who wants all right things and a societal life. but a slow. taciturn. country-bound hubby who merely aspires to paying of the mortgage. ( Stouck 2005. 93 )
The Painted Door is non Ross’ merely short narrative covering with issues such as isolation. disaffection and lunacy. The other outstanding illustration of him utilizing such subjects and motive is The Lamp at Noon where Ross. by set uping a gloomy and intense ambiance. creates a feeling of edginess and fright of the stray and even frenzied environment which necessarily affects the story’s supporters. It “illustrates how close to madness a person’s dreams of a better life may be juxtaposing the psychotic beliefs harboured by a hubby and a married woman about their weakness homestead. ” ( Estehammer 1992 ) The honeymooners Ellen and Paul moved from the metropolis to a desert landscape during the clip of the Great Depression to populate as husbandmans in the Canadian prairie. Unfortunately. dust storms. every bit good as the soil’s waterlessness and deficiency of rain made their being as happy and successful husbandmans about impossible.
However. Ellen. who came from a rich household. tried to be a exemplary married woman by taking attention of the family and their babe. but the fact that they were populating on an infertile and stray farm made things worse twenty-four hours by twenty-four hours and contributed to the couple’s changeless quarreling. The deficiency of joy. nutrient and tolerance caused both emotional and physical agony for Ellen and Paul. It seems as if the displacement from city- to rural life hit Ellen peculiarly hard as she seems to be really defeated about her present state of affairs and even afraid of what the hereafter might keep for them. She feels as if she was populating in a coop or a prison. and deep inside she knew that there is no manner out of it. It is obvious that the scene is indispensable in doing mayhem in Ellen’s and Paul’s lives.
Therefore. to reply the inquiry of where these feelings of isolation. solitariness and. in the terminal. even madness originate. we must see the extreme unfriendly and even claustrophobic environment as a major factor. Other likely grounds would hold to be Paul’s obstinacy and his foolish manfully pride that made him disregard his wife’s petition to alter affairs by puting up new precedences. For many old ages she has tried to carry him to go forth the farm but she has failed every clip due to his reassuring remarks about a better life.
Because Paul is unable. or possibly even unwilling. to alter. he finally destroys his matrimony and household by farther lending to his wife’s province of depression and. finally. insanity. It is merely after Ellen’s despairing tally into the dust storm. in which she sees freedom. and their baby’s decease when Paul realizes his errors but it is already excessively tardily. Their kid is dead and his married woman has lost her head. Consequently it can be seen that both of Ross’ analyzed narratives are. in fact. illustrations of how non to cover with isolation.
By making and depicting both stories’ scene so vividly. Ross succeeds in reenforcing our ain apprehension of isolation. by taking us in the thick of this unfriendly and annihilating environment. He makes us about experience Ellen’s geographical and emotional isolation which finally drive her into a province of lunacy. The Lamp at Noon is “especially powerful because it resonates with the alone historical conditions of the thirtiess. when dust storms scourged the West. difficult working farm households lost their land. and some people went mad” ( Stouck 2005. 91 ) . The lamp in The Lamp at Noon itself is a symbol of hope but when it dies out in the terminal all hope seems lost. It can be argued that Ross “does non merely show the landscape and conditions as a cause for psychological decomposition but besides deploys it as a metaphor to develop the interior landscape of his characters. the landscape therefore functioning as the nonsubjective correlate of the feelings and the provinces of head of his protagonists” ( Pauly 1999. 70 ) .
The Old Woman by Joyce Marshall is another outstanding illustration of how isolation can take into lunacy. Molly and Todd got married in Molly’s fatherland England. Soon afterwards Todd traveled to Canada go forthing his Molly buttocks. She joins him after 3 old ages because she had to take attention of her ailment female parent. When she arrives in Northern Quebec she realized that Todd has changed since their last meeting. Molly starts her life in the new environment like many adult females before her. by taking attention of the family. Her hubby was preoccupied with his occupation to detect that Molly felt unpleasant in the new environment. Alternatively of assisting her to accommodate to the new life. he becomes more and more distant. less chatty and absorbed by the machines in “his” human dynamo.
After a piece. Molly finds her naming as a local birth assistant but. to her letdown. her hubby is disapproving towards her freshly found business. He wants her to remain at place all twenty-four hours and to be like the other obedient married womans without of all time 2nd oppugning him in malice of his carelessness towards her. In order to get by with her isolation she however decides that she must busy herself in some manner. She eventually feels needed. something Todd does non understand nor desire. In the terminal it does non count how Molly feels anyhow because her hubby has lost his head after 3 old ages of life and take a breathing with the machines at the power house – he has “fallen in love” with them. In this narrative the gender functions and immigrant stereotypes have been turned inverted.
Not in the sense of male or female functions and responsibilities but the fact that a local adult male. alternatively of a female immigrant. goes huffy in the terminal distinguishes this narrative from others. There is a crisp word picture between the two possible attacks to the foreign district. Since the machines have ever been between Todd and the land. he has been unable to associate adequately to others. In his limited and confined being he has. in the terminal. even gone insane. At the same clip his married woman discovers a personally hearty function as a accoucheuse in a French-Canadian community. Her productive attack therefore carries her across evident linguistic and cultural boundaries and across her isolation. ( Pauly 1999. 64 )
In contrast to The Painted Door and The Lamp at Noon. where the female supporters were the 1s whose lives were destroyed by their actions out of isolation. solitariness and their dependence on their hubbies. Molly. despite her inconvenient state of affairs. deficiency of attending from her hubby and her fright of solitariness. apparently succeeds in get the better ofing the obstructions that were put in her manner. By non taking the repressions of her hubby any longer and make up one’s minding to prosecute her ain involvements. Molly stands as a representative of a new women’s rightist political orientation which. nevertheless. can’t be compared with today’s impression of feminism as it had to undergo decennaries of alterations and development to better the functions and lives of adult females to the phase as we know them today. Unfortunately. women’s functions still differ really much. They strongly depend on the location. civilization and faith the adult females live in.
Authoritative gender functions were besides turned inverted in Isabella Valancy Crawford’s narrative Extradited. In it we find a “striking portrayal of a petulant and egotistic adult female and her annihilating scrutiny of jealousy” ( Stephenson and Byron 1993. 12 ) . The supporters of the narrative are Samuel “Sam” O’Dwyer. his married woman Bessie. their babe and a adult male named Joe who was assisting them on their farm. Sam and Joe rapidly became really good and close friends. While reading the narrative one could even believe that Sam. although twice of Joe’s age. might even keep deeper feelings for him ( homosexuality? ) . After a piece. Bessie is annoyed by Sam’s esteem for Joe and every bit shortly as she finds out that Joe is wanted by the constabulary for a legal offense against his former employer and that there is a 1000 $ wages for the 1 who catches him or turns him in. she instantly grabs the opportunity she considers to be the 1 that will guarantee them a better life.
However. after Joe’s heroically deliverance of Sam’s and Bessie’s babe. and him submerging after salvaging it. Bessie. although informing the constabulary of Joe’s whereabouts. corsets without the wages but has necessarily to cover and populate with her husband’s scorn as she has to bear the incrimination for a good man’s decease. Bessie likely thought that she was making the right thing. We would usually anticipate a adult male to move rational and adult females emotional at that clip and topographic point. However. in Sam’s and Bessie’s instance it is the other manner around. It is Sam who acts emotional. by desiring to protect Joe. and Bessie who acts rational. by desiring the wages in order to purchase a new farm and within to pave the manner for a better life for herself and her household. Therefore. it is the adult female. non the adult male. who is a representative of pragmatism. whereas the adult male can be seen as a sentimentalist. This illustration makes it clear that adult females were besides draw a bead oning beyond the domestic domain and non merely victims of their husbands’ flightiness.
This stands in resistance to the realistic thoughts of earlier epochs where adult females had to stoically accept their traditional functions. i. e. instructor. amah. homemaker. devoted female parent. and had to give their ain felicity for their children’s and/or husband’s interest. Women should quash their old experiences and cognition after acquiring married and were largely appreciated every bit long as they kept their physical appeals. In Canadian short fiction in-migration is the procedure which. in many instances. causes isolation and disaffection. It is a long and complex procedure as get downing a life in a new state can be really hard. The issues of in-migration seem to hold affected adult females peculiarly hard. In order to maintain themselves sane and trade with the rough worlds that the early innovators had to face. adult females. who largely spent their clip at place. wrote journals.
Susanna Moodie. who was one the most celebrated chroniclers of the early Canadian immigrant experience. was depicting the negative facets of environmental and societal isolation among early immigrants in Rough ining it in the Bush. Moodie’s sister Catharine Parr Traill even advised work forces to confer with with their married womans before emigrating to Canada as most immigrants were wholly unprepared to populate in such an unfriendly and unfamiliar environment. Brian. the supporter of Moodie’s short narrative Brian the Still Hunter. is besides. like Ellen from The Lamp at Noon and Ann from The Painted Door. a victim of isolation. However. the first and first ground for Brian’s isolation is alcoholism. As a consequence his extended imbibing has isolated him from society and even his ain household. Alcohol has transformed him into an unpredictable character.
This is why society treated him as an foreigner. When Brian was drunk. he was non able to talk usually to anyone. non even his married woman. Their relationship was put to the trial due to ever-changing periods of guilt. shame and choler. He felt emotionally isolated. worthless. and he even attempted to perpetrate self-destruction. He fails in this purpose and affairs get even worse for him. Afterwards he quits imbibing and chooses physical isolation for himself alternatively. He is easy falling into a province of insanity as he loiters about the land with merely his Canis familiaris by his side to maintain him company.
Many immigrants could non cover with the formidable world which the Canadian landscape prepared for them and fell into a province of lunacy. Madness most normally might hold appeared due to some of the undermentioned grounds. It either developed as a effect out of the confrontation between the thoughts and life styles of the Old and the New World. or out of geographical and environmental differences ( unsafe wilderness. field and/or artic landscape ) . This new environment was non merely unsafe to one’s physical but besides psychical wellness. It was hard non to lose your individuality while confronting the bounds of your capablenesss and still maintaining your sense of inner ( subjective ) and outer ( nonsubjective ) world balanced.
…while the fields sometimes provoked the eruptions of insanities. the primary cause is frequently to be found elsewhere. These causes range from economic defeat. isolation from the people. defeat turning out of an inability to accommodate. personal supplanting and loss of individuality. to guilt and isolation. All these are parts non merely of a physical environment but of a mental landscape. Women’s nervousnesss overstretched and they normally became down and soundless whereas work forces more frequently turned to force in order to move out their fury and defeat. In some instances these provinces were lasting. in others they were impermanent and subsided after a finite period of clip. ( Pauly 1999. 53 )
Narratives like The Lamp at Noon and The Old Woman can be best described as illustrations of “Pioneer Realism” and/or “Prairie Realism” . Besides Sinclair
Ross. other outstanding “Canadian” writers who dealt with the prairie experiences were Martha Ostenso. Laura Salverson and Frederic Philip Grove. In their plants. these writers start their narratives with a naive or. we might even state. romanticized. position of the immigrants’ reaching to Canada. Later on. all become disillusioned by the scene and bit by bit alienated from their new place. These narratives “generally include a ‘prairie patriarch’ . [ … ] he is normally presented as a land-hungry. work-intoxicated autocrat. The farm adult females are subjugated. culturally and emotionally starved. and filled with a smoldering rebellion. All in all a fertile land for struggle and all sorts of mental instabilities. ” ( Pauly 1999. 54 )
As an immigrant. your wellbeing will mostly depend on your ability to accommodate and cover with the given fortunes. Though those two narratives are set in different locations. the first in a prairie and the latter in the Canadian North. both still are fictional narratives covering with the issues innovators experienced when they foremost arrived and became cognizant of how unsafe it truly was to be out of melody with the land. While some succumbed to the unknown and fled. lost their heads or even died. others fortunately found other signifiers of distraction from the isolation which surrounded them. doing their being bearable.
In continuance. other signifiers of covering with the rough worlds of mundane life will be analyzed. These are the narratives of escapement from the “sane” into a subjective “insane” universe in order to last. The supporters of these narratives are all stray and alienated from other people. non needfully because of an stray landscape. but instead because of their unsimilarities. “ [ A ] outline is withdrawal from something – going unusual and foreign to it. being put out or taking One’s self out and thereby going a alien – separated. Since worlds feel vulnerable when they are aliens. the emotional kernel of disaffection is fear and hostility” ( Henry 1971. 105 ) .
The “sane” universe can therefore be even seen as dangerous to the “stranger” because all it wants to accomplish is to insulate him even further and to destruct his world. Ultimately. there are three picks a “stranger” can do. He can either allow the “sane” universe return over and destruct his really essence. he can protect himself by playing along. feigning to be person else by moving out functions. or he can get away into his ain world where he entirely decides what is right and incorrect. what the truth is and what merely semblance.
Louise and Morrison. the supporters of Margaret Atwood’s short narrative Mutual oppositions. are working co-workers in an nameless dull metropolis in the northwest. They came to this metropolis because they could non happen any other occupation elsewhere. Morrison finds this obtuseness instead annoying and the northern metropolis a difficult topographic point to populate in. Louise nevertheless claims that you merely have to hold “inner resources” to turn to when affairs get tough. After some clip. Louise started moving and speaking strange. She would happen significance in things other people would non. as Morrison provinces: “she’s taken as existent what the remainder of us pretend is merely metaphorical” ( Atwood 1993. 69 ) . Morrison more and more started to believe that there is something earnestly incorrect with Louise. as her unusual behaviour is non to be ascribed to tire or the maltreatment of substances. a fact another co-worker besides acknowledges.
Morrison and Paul. the other co-worked. finally agree that it would be best for Louise to be institutionalized. Nevertheless. Louise about convinces the physicians that she is absolutely all right but she finally makes a error and they decide to maintain her hospitalized. After passing some clip in the infirmary. Louise’s intelligence begins to deteriorate due to the extended sum of drugs she was forced to take. She about stopped speaking to anyone and it was obvious that she suffered enormously. particularly on the interior. It seems that before she had been taken to the mental infirmary she was a small unusual but however managed to acquire along in mundane life. All that remained now of Louise was an empty shell as she became merely a shadow of her former ego.
Margaret Gibson was another writer who wrote about oversensitive people unable to populate in a “normal” society. Due to her mental province. she was diagnosed as a paranoid schizophrenic. she could associate to and place with her composing as few writers before her. Nevertheless. she claimed that her plants are non autobiographical. In her aggregation of short narratives entitled The Butterfly Ward. she tried to research the boundaries of saneness and insanity. Her ain experiences as an foreigner gave her the chance and ability to show a “stranger’s world” in a unique and exciting manner.
It is of import to acknowledge at the beginning that Gibson’s primary concern in relation to the subject of lunacy is with the responses to mental unwellness. instead than with its causes or manifestations. While she clearly does non pretermit the latter issues. her composing frequently focuses upon the ways in which those categorized as mentally sick and those delegating the label respond to the status. ( Pauly 1999. 106 )
Her short narratives The Butterfly Ward. Making it. Ada and Considering Her Condition are great illustrations of her authorship creativeness. In the beginning of The Butterfly Ward we are introduced to Kira. the story’s heroine. who is remaining at a infirmary and is undergoing assorted highly painful and barbarous trials and scrutinies in order to find what is doing her mental “condition” . As the narrative progresses. we get a glance of her earlier life. Before being admitted to the infirmary. she worked in a place for mentally challenged kids.
Unfortunately. she had a really ambitious female parent who dreamt of a better life for her and her girl in Russia. Her female parent is convinced that Kira’s business does non accommodate her and that she would be better of analyzing at a university. Kira becomes a victim of her mother’s aspiration and force per unit area under which she. finally. prostrations. She is still cognizant of her milieus but however decides to populate her life in her ain phantasy universe which she considers a better topographic point than the existent universe where she is being locked up and to a great extent medicated.
The supporter of Gibson’s narrative Ada is a miss of the same name as the rubric and who is. like Kira. shacking in a mental infirmary. As the narrative unfolds. it becomes obvious that the patients of this establishment are being to a great extent mistreated and denied any basic human rights. The lone visitant Ada has is her female parent. Although we might believe that her female parent would wish to assist her to acquire out of the infirmary every bit shortly as possible. she does non demo any echt purposes of assisting or understanding her girl in her demand. After some clip. Ada realized that she can non anticipate any aid from anyone. and denies her female parent. and other household members. visits because they do non understand her.
More and more she drives herself into isolation from others and even from her ain feelings. Ultimately. her isolation causes her to lose touch with world wholly –so we might believe. When another “inmate” joins the group at the refuge. the patients are presented as apparently smarter than their physicians. as they are easy able to pull strings with them as in the instance of Alice.
However. Ada and her best friend Jenny manage to get away their isolation but must pay a really high monetary value for it. Jenny. who wanted to protect Ada from Alice’s maltreatments. stands up against Alice and within she awakens Ada from her interior retreat. By subsequently killing Alice. Ada awakens from her mental sleep and ends her child-like being. However. it can be argued that Ada’s retreat in her ain universe was. in fact. her scheme to last in a depressive and live-threatening environment such as the mental refuge where normalcy of patients ( their ideas. emotions. actions ) is considered as something unnatural. For Gibson. therefore. abnormalcy can be seen as the lone manner to last in an inhuman and egocentric universe.
A similar narrative to Ada is Making It where the supporters Liza. a schizophrenic. and Robin. a male homosexual cross-dresser. attempt to do something of their lives. Both of them seek to conceal their true nature because if they would non they would be considered as castawaies in a society intolerant of “crazy” people. Although they urgently want to contend society’s classifications and turn out them incorrect. they are. however. unable to make so. Liza. who becomes pregnant. sees her babe as her ain manner of “making it” out of her problems. Robin. on the other manus. sees his “salvation” in going a celebrated adult females imitator in California’s amusement industry.
They are convinced that maternity for her and celebrity for him will do them “normal” in the eyes of society. In the terminal of the narrative the two one time once more make up one’s mind to populate together like a regular. but in their instance platonic. twosome. Robin even rejects the work forces of his dreams in order to be able to assist Liza to populate a “normal” life. Unfortunately. felicity stays out of range for them as they. after Liza’s babe was born dead. one time once more fall into isolation and experience alienated from society. Although considered unnatural. Robin and Liza’s feelings of belonging. friendly relationship. helpfulness and love for one another are something we would hold problem happening in the “normal” universe. For Gibson. we. the “sane” readers. are the 1s who make being for people like her supporters intolerable and coerce them into isolation and suicide.
In Considering her Condition. it is a adult male named Steven who drives his married woman Clare into self-destruction after she gave birth to their babe boy. Steven is a really suppressive. bossy and egocentric character. Clare ne’er even wanted kids but after Steven persuaded her it becomes clear that he ne’er thought about what is best for her but instead what is best for him. Later in the narrative we get to cognize that Steven already has a kid but has no contact with her anymore. When Clare was pregnant. Steven became obsessed with the babe and did non care much about his married woman any longer. He even denied Clare her right to take abortion despite the doctor’s advice to end the gestation.
Claire must endure tremendously merely to carry through his desires and wants. Gibson gives us a image of how married couples’ lives can be destroyed by mutual oppositions and traditional gender-roles. Steven will non allow Clare hold her ain life and she does non hold the strength to contend his demands. Her self-destruction is the lone action she can recognize out of her ain will. Not even her decease affects Steven as he ne’er though of her being more than a low-level married woman and the female parent of his kids. Sing her Condition can be seen as Gibson’s strong review against a society that denies adult females their right to take their ain manner of life and thought and interrupt their liquors by taking away their desires. pride and self-pride. The analyzed narratives in The Butterfly Ward:
…focus upon persons who have become objects of examination to others. These others. … . exercising a great trade of power over those who have failed to accommodate to the outlooks and demands of normal society. First and foremost among those schemes is simple observation. Whether an person is labeled paranoiac or merely maladjusted. the consequence is similar. The person ends up excluded from normal being and confined within another district. The responses of those therefore observed. excluded. isolated and confined are assorted. but all. in some manner. uncover efforts to get away this status. ( Pauly 1999. 116 )
Not merely persons can endure enormously under the influence of isolation but besides whole communities. In W. D. Valgardson’s narrative Bloodflowers “the puting seems to connote that even today. people will be given to fall back to crude rites when isolated and badly tried by populating conditions” ( Neijmann 1996. 311 ) . It is the narrative of a immature instructor named Danny who moves to an stray island. called Black Island. where superstitious notion is still widely spread among the island’s local community. Danny at first merely wants to witness an ancient local birthrate ritual taking topographic point yearly on the island. The ritual consists of giving a adult male in order to reason any bad lucks that have happened in the past twelvemonth and might go on into the following 1.
Unfortunately for Danny. as bad lucks continue to go on. the locals consider him to be the cause of perturbation and they decide to give him in order to salvage themselves from farther injury. It seems as if the local people are non holding any problem “justifying” the slayings they have committed with superstitious notion. In this narrative. where Valgardson makes extended usage of sarcasm. we get to see the serious effects ( misinterpretations ) that may happen when different or conflicting civilizations transverse waies. In Rudy Wiebe’s Where is the Voice Coming From? . the impressions of isolation and disaffection can be ascribed to the native Canadian dwellers. The isolation of the autochthonal ( cultural ) voice and the inquiry of a “Canadian identity” . by this I mean stating the other side of Canadian history ( of the Aboriginal dwellers ) excessively. are issues Wiebe attempts to turn to.
Its most outstanding subjects would hold to be the societal and cultural unfairnesss and accordingly isolation and disaffection suffered by the autochthonal people after the European colonists have taken over their lands. In decision it can be said that people were frequently driven huffy by solitariness and isolation and some even saw decease as their lone agencies of get awaying it. Others. who besides lived in isolation. developed psychotic behaviours which non merely made them suicidal but besides a menace to others. Taking into consideration all of the writers and their narratives that trade with the subjects and motives of isolation. disaffection. solitariness and lunacy. one can non neglect to detect that isolation has an highly negative consequence upon the development of the individual’s character in Canadian short fiction and likely besides Canadian literature in general.
Plants Cited:
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Esterhammer. Angela. “”Can’t See Life for Illusions” : The Problematic Realism of Sinclair Ross. ” In From the Heart of the Heartland. edited by John Moss. 15-24. Ottawa: University of Ottawa Press. 1992.
Gibson. Margaret. The Butterfly Ward. Ottawa: Oberon Press. 1976.
Henry. Jules. Nerve pathwaies to Madness. New York: Random House. 1971.
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